{"title":"Goth \/ Darkwave \/ Coldwave","description":"Bauhaus, Christian Death, Cocteau Twins, modern darkwave. The Batcave and beyond.","products":[{"product_id":"anika-change-levitation-exclusive-clear-vinyl-lp-w-silver-red-splatter","title":"Anika - Change LP (Levitation Edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eIN STOCK and shipping now.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLEVITATION EDITION Exclusive Vinyl Pressing \u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited to 300 copies on Clear Vinyl LP w\/ Silver \u0026amp; Red Splatter\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eWhen asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. “It’s a moment caught in time,” she says of Change, her much-anticipated new record. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite Anika, the artist suddenly found herself with a lot to say. “This album had been planned for a little while and the circumstances of its inception were quite different to what had been expected. This colored the album quite significantly. The lyrics were all written there on the spot. It’s a vomit of emotions, anxieties, empowerment, and of thoughts like—How can this go on? How can we go on?”\u003cbr\u003e\u003cbr\u003eRecorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It’s a perspective that is not lost on the British ex-pat and former political journalist. “‘Sand Witches’ is about England. My old home,” she says. “I gave up my UK passport when I moved to Berlin 10 years ago. Now I am a foreigner in both lands, belonging to neither. Sometimes I find it hard to recognize the place I came from.” Despite the subject matter and the circumstances around its creation, Change itself is ultimately a treatise on optimism. The title track presents the album’s message writ large: I think we can change; we all have things to learn, about ourselves and about each other. To end the record on such a sanguine note might be one of Change’s most revolutionary gestures. “Another book that affected the brain of this album was Hannah Arendt’s The Banality of Evil,” explains Anika. ”In the context of the Trump era, it was interesting to see how ‘evil’ was put on trial after his downfall. When evil loses, how is it put on trial? How do those who actually held the hand of evil during the evil, sneak into the seat of judge and Jury during the trial, booing with the crowd as if they had no involvement and were not cashing in on the evil’s wild rampage. How are all the evils pinned on that one individual as a way to pardon a whole society that partook in that evil? I suppose this is what Change is about, setting out the hope that we can change, that even those who cheered on the evil can ultimately change their ways.”\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003chr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePlease note:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDue to the nature of making a vinyl record, each record is one of a kind. 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Tracks like “One Way Ticket” critique the rise of fascism, while “Hearsay” takes on the divisiveness of fake news, revealing Anika’s determination to confront the complexities of our current moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album's raw, emotional power is matched by its physicality. Anika’s goal is to take listeners out of their heads and back into their bodies, offering a release through the music and live performances. This is a space to reclaim the connection between mind and body—something she feels is increasingly lost in today’s world. Her desire to create that energy on stage is reflected in \u003ci\u003eAbyss\u003c\/i\u003e's dense, pounding rhythms, which build on the energy of 90s alt-rock.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eAbyss\u003c\/i\u003e also delves into the intense tensions between the left and right in contemporary society, exploring the complexities of human imperfection and healthy debate. 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It's cold, gray, imposing,industrial-and yet there are human hearts beating within those foundations. In the wake oftheir breakthrough success in 2020, the trio endured a polarity of experiences, from the nadirof an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into theirnew home of Los Angeles to finish writing their fourth album Belaya Polosa, a testamentto change in difficult times, a love letter to the digital pulse of the '90s, and a technicolorreinvention of the band's somber dancefloor anthems.From the opening synth swell and drum machine throb of \"Ty Zhe Ne Znaesh' Kto Ya,\" tothe goth \/ post-punk austerity of \"Son\", to the swirling electronic textures mixed with reverbdrenched guitar flourishes, expansive space, and yearning vocals of title track \"Belaya Polosa\"- that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden - to the sultry and seductive \"Chernye Cvety\"- a track reminiscent of Duran Duran'searly '90s output in it's fusion of dreamy guitars and authoritative mechanized beats - andthe interwoven layers of instrumentation, soaring chorus, and melodic sophistication of \"YaTak Ustal\", it's clear that Molchat Doma are operating on another level.Molchat Doma gained following with earlier albums that sound like third-generation bootlegs of banned recordings from the Eastern Bloc made after a few key entries in the FactoryRecords catalog were smuggled in from the West. Belaya Polosa propels them into a new direction while retaining their cold minimalist delivery they're known for. The basement grimeand dirty tape-head sound of their previous work are now making space for digital luster andshimmering production values.And while Molchat Doma's broadened aural spectrum adds a synesthetic power to BelayaPolosa, the mood remains rooted in stark and unflinching self-reflection. Molchat Domaretain the duality of being both cold and feverish in their delivery while pushing their musicinto expanded territories through an armory of new textures. 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With director Jacqueline Castel, Muller pays homage to Klaus Schulze music for 'Angst' and John Carpenter's 'Assault on Precinct 13' as major influences. Muller embarked on his composing career in 2019, crafting captivating scores for two short films for the adult film site, 'A Four Chambered Heart'. The scores, titled 'Machine Learning Experiments', were released in 2020, showcasing his talent with their innovative soundscapes. In 2023, Muller joined forces again with 'A Four Chambered Heart', composing two more scores, entitled 'Cellulosed Bodies'.1. Transformation #12. Sanctuary3. A Walk Home4. A Soft Howl5. Winter Drone6. Patti's Theme7. Casino Drive8. The Slots9. Transformation #210. Drone (Dream Theme)11. Soft Love12. Soft Love (Slow)13. Hockey Tryouts14. Back of Your Car15. Making Love16. Climbing Sadness17. Heart to Heart18. Crybate19. Sudden Loss20. Out Of Time21. Climbing Sadness (The Funeral)22. Outside The Rock23. Something's Building24. 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Sacred Bones and Nude Club (Boy Harsher's imprint) are joining forces and releasing a proper 12\" maxi single containing four versions of the track \"Burn it Down,\" to be released in tandem with the original score provided by John Carpenter, Cody Carpenter, and Daniel Davies.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526460608597,"sku":"843563156599","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/boy-harsher-burn-it-down-pumpkin-orange-9847408.jpg?v=1779844328"},{"product_id":"boy-harsher-careful","title":"Boy Harsher - Careful","description":"Boy Harsher's second full-length album, Careful, further develops the band's brooding dance style, set up in their previous ep Country Girl. The ten songs, spanning forty-four minutes, contain eerie narrative soundscapes that are bracing, high tempo and dynamic. The album delivers manifold emotions, from the nostalgic yearning of \"LA\" to the gripping intensity of \"Come Closer\". The nervousness of Augustus Muller's bent, out of tune synths paired with the lush and sometimes brittle vocals of Jae Matthews, delivers an unsettled, yet fulfilling encounter with Boy Harsher. Careful summons a new spirit for the young band - that of growth and desire.01. Keep Driving 02. Face the Fire 03. Fate 04. LA 05. Come Closer 06. The Look You Gave (Jerry) 07. Tears 08. Crush 09. Lost 10. Careful","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526460641365,"sku":"4250506831004","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/boy-harsher-careful-2967590.jpg?v=1779844328"},{"product_id":"sextile-push-red","title":"Sextile - Push - Red","description":"Sextile have become known for bringing an LA punk attitude to high energy EBM. Push references big beat, UK garage and synth punk and detonates into a full blown body-shaking, head-twisting, exhilarating dance record.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526460903509,"sku":"843563166772","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/sextile-push-red-9353162.jpg?v=1779844327"},{"product_id":"sextile-yes-please","title":"Sextile - Yes Please","description":"Some bands find their groove and stick to it; others reinvent themselves constantly.Sextile belongs to the latter camp, embracing the thrill of an ever-changing roadmap. The LA duo of Melissa Scaduto and Brady Keehn craft music with a lust forlife, drawing inspiration from no wave to hardstyle. Their latest album, yes, please,pushes their sound into bold new territory, fusing anarchic electro fire with rawpersonal recollections-and enough beefed-up bass to bust a speaker or two.yes, please. Is an album of contrasts: a vulnerable record that bares it's soul as muchas it revels in excess, showing just how far you can push your sound when youshake off your inhibitions. Together, the pair betray a confidence that never wavers,making a bold splash on the speedy intro with a rave siren cut from a '00s NewYork house party or sweaty Brooklyn warehouse. By the same token, the spirit ofelectroclash stalks the building, flashing it's ID on the cowbell-peppered thunderbolts of \"Freak Eyes\" and \"Rearrange\", and turning in a scuzzy dancefloor bombwith \"Women Respond to Bass\". High on endorphins, \"Push Ups\"-which featuresvocals from Jehnny Beth-is pure muscle music, fortified by hoover bass andfleshed out by synths that hammer as hard as lumps of hail on a glass roof.But behind the slogans, sass, and monster dance energy lies an intimacy that canonly be found from opening up about painful, life-altering events. \"Hospital\" and\"Soggy Newports\" reflect Scaduto's harrowing experience in a New York state-runfacility after a near-fatal accident. \"Resist\" tackles abortion rights, while \"PennyRose\" explores US education, AI, and future generations. Scaduto's elastic vocalsshine throughout, from the razor-sharp synths of \"S is For\" to the trance-popheights of \"Kids,\" featuring Izzy Glaudini from Automatic.yes, please. Is an action-packed dance record stuffed with wild, heady roof-raisersbut is in the same breath a testament to living, and never looking back. In openingthemselves up to a new \"freeing\" way of making music, Sextile have whipped uptheir most creative offering to date. Then again, you just know they still have somuch more to give.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526460936277,"sku":"843563185582","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/sextile-yes-please-6691333.jpg?v=1779844327"},{"product_id":"bambara-birthmarks","title":"Bambara - Birthmarks","description":"Produced by Graham Sutton (Bark Psychosis, These New Puritans) and Bambara, Birthmarks is New York band Bambara's fifth, and best, studio album. A wild, musically adventurous suite of songs that follows a host of lost characters caught in a multi-generational cycle of love, violence and rebirth. Recorded in the UK and the band's NYC studio, Birthmark shows the band exploring new musical territory with even more focus on production and atmosphere while maintaining the noir core of what they've perfected since their debut. The album features a wide range of instrumentation, with vocal contributions from friends Emma Acs (Crack Cloud), Bria Salmena, Madeline Johnston (Midwife), sax by Jeff Tobias (A. Savage), harp by Marilu Donavon (LEYA) and more. World-building both lyrically and sonically has always been Bambara's specialty, and with Birthmarks the world has never felt so vast.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526589550677,"sku":"843563183472","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-birthmarks-2444288.jpg?v=1779844089"},{"product_id":"bambara-birthmarks-blue","title":"Bambara - Birthmarks - Blue","description":"Produced by Graham Sutton (Bark Psychosis, These New Puritans) and Bambara, Birthmarks is New York band Bambara's fifth, and best, studio album. A wild, musically adventurous suite of songs that follows a host of lost characters caught in a multi-generational cycle of love, violence and rebirth. Recorded in the UK and the band's NYC studio, Birthmark shows the band exploring new musical territory with even more focus on production and atmosphere while maintaining the noir core of what they've perfected since their debut. The album features a wide range of instrumentation, with vocal contributions from friends Emma Acs (Crack Cloud), Bria Salmena, Madeline Johnston (Midwife), sax by Jeff Tobias (A. Savage), harp by Marilu Donavon (LEYA) and more. World-building both lyrically and sonically has always been Bambara's specialty, and with Birthmarks the world has never felt so vast.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526589681749,"sku":"843563183465","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-birthmarks-blue-3434895.jpg?v=1779844088"},{"product_id":"bambara-love-on-my-mind","title":"Bambara - Love on My Mind","description":"With Love on My Mind - the six song mini-album, mixed by Claudius Mittendorfer (Tennis, Parquet Courts, Johnny Marr) - Bambara condense all the energy and darkness that have made themso compelling and rearrange it into something defiantly new.Opening track, \"Slither in the Rain,\" all hissing high-hat and spectral synthlines, is a true statement of intent. It's minimal and atmospheric, foregrounding Bateh's raw vocals as he introduces oneof Love On My Mind's main characters years after the events ofthe album are over, a lonely man who throws bottles at airplanesand dances a two-step in the pattern of a figure-8. While Batehhas always been adept at character sketches, tracks lke \"Slither\" introduce a newfound vulnerability that runs true through theentire album and cause the songs to hit on a more human level.Similarly, \"Point And Shoot\" - in which each stanza describes thelouche, lawless scenes of \"rooftop girls \/ standing shoulder-to-shoulder, naked figures with their hips \/ cocked,\" busted up jaws, and couches full of burn-holes captured by the snapshots of Love on My Mind'sfemale lead - displays an autobiographical intimacy that is not as apparent in Bambara's previous releases. This tenderness is echoed on\"Birds,\" a rare love song (from which the EP's title is derived), and album closer \"Little Wars,\" a gripping finale of loneliness and isolation.But while these songs may display a softer side of Bambara, it'simportant to note that they haven't lost the thrill of what attracted somany people to them in the first place. \"Mythic Love\" (featuring vocalsfrom Bria Salmena), with it's driving bassline and ricocheting guitarlines, brings to mind past rave-ups like \"Serafina\" and \"SunbleachedSkulls\" but obliterates them in the process, while \"Feelin' Like A Funeral\" - a dangerously oscillating tale of a city knifing - is probably the most thrillingly anthemic song the band have ever recorded.Taken together, Love on My Mind amounts to another massive step forward for Bambara - the boldest thing they'veever done - and the sound of yet another breakthrough","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526590140501,"sku":"843563143728","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-love-on-my-mind-4396927.jpg?v=1779844088"},{"product_id":"bambara-shadow-on-everything","title":"Bambara - Shadow on Everything","description":"Vinyl LP pressing. Shadow On Everything, the third LP by Bambara and their first for Wharf Cat Records, represents a huge leap forward for the NYC-via-Georgia trio. Frontman Reid Bateh, drummer Blaze Bateh, and bassist William Brookshire have always been adept students of the histories of noise rock and post-punk, mining the work of bands like Swans and The Birthday Party. Now, they've transcended their early influences to produce a Western Gothic concept album that sounds as big as the desert sky that looms over it's characters' lives. While Reid's lyrics have always been a critical part of Bambara's songs, his voice is pushed to the front of the mix on Shadow On Everything.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526590435413,"sku":"616892567240","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-shadow-on-everything-4020921.jpg?v=1779844088"},{"product_id":"bambara-stray","title":"Bambara - Stray","description":"The first thing that strikes you about Stray, Bambara's fourth - and greatest - album to date, will be it's pulverizing soundscape. By turns, vast, atmospheric, cool, broiling and, at times - on stand out tracks like \"Sing Me To The Street\" and \"Serafina\" - simply overwhelming. But Stray is not merely another, better entry in a catalog full of darkly thrilling, blistering experimental rock-via-punk. Rather, early on in it's conception the band made the decision to experiment with new compositions and song structures. The resulting addition of backing vocals from Drew Citron (Public Practice) and Anina Ivory-Block (Palberta) create a hauntingly beautiful contrast to Bateh's drunken baritone on tracks like \"Sing Me to the Street\", \"Death Croons\" and \"Stay Cruel,\" while the Dick Dale-inspired guitar riffs on \"Serafina\" and \"Heat Lightning\" and the call-and-response choruses throughout the album showcase Bambara's ability to write songs that immediately demand repeat listens. These are just a few of the changes that reveal this album to be the monumental step forward that it is. Here Bambara finally sound like they've locked into what they were always destined to achieve, and the effect is nothing short of electrifying.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526590566485,"sku":"843563122204","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-stray-5314713.jpg?v=1779844087"},{"product_id":"bambara-swarm-red","title":"Bambara - Swarm - Red","description":"Bambara's first song-oriented full length release, recorded by Ben Greenberg (Uniform) and featuring some of the band'smost dynamic live-set favorites (\"All the Ugly Things,\" \"Her Sister Touya,\" \"I Don't Mind\"), is comprehensively remixed to put the audio fidelity on par the band's later output.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526590828629,"sku":"843563164327","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/bambara-swarm-red-5045088.jpg?v=1779844087"},{"product_id":"black-marble-bigger-than-life-15-year-edition-royal-blue","title":"Black Marble - Bigger Than Life - 15 Year Edition - Royal Blue","description":"When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh o a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apart- ment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he'd look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique - the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shim- mering synth-pop response to it's cacophony. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it lie to his synths - only using the computer to record, not to create. \"I try new approaches every time, which helps me stay engaged but also it's kind of a trick I play on the creative side of my brain,\" Stewart says. \"Keeping one side of my mind busy on organizational creativity I think frees up the other side where the inspirational creativity comes from.\"","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526622318677,"sku":"843563149379","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/black-marble-bigger-than-life-15-year-edition-royal-blue-5919575.jpg?v=1779843907"},{"product_id":"black-marble-different-arrangement","title":"Black Marble - Different Arrangement","description":"Black Marble - Different Arrangement","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526622482517,"sku":"098787306354","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/black-marble-different-arrangement-3844447.jpg?v=1779843907"},{"product_id":"black-marble-its-immaterial-10th-anniversary-black-white","title":"Black Marble - It's Immaterial (10th Anniversary) - Black\/white","description":"Released in 2016, It's Immaterial found Black Marble refining it's coldwave and synth-pop foundations into a warmer, more melodic expression of isolation, longing, and quiet resilience. Guided by Chris Stewart's unmistakable baritone and a palette of analog synths, pulsing basslines, and minimalist rhythms, the album feels simultaneously nostalgic and forward-leaning. It's songs drift between shadowy introspection and subtle hope, creating a cinematic atmosphere that's both intimate and hypnotic. With It's Immaterial, Black Marble deepened it's signature sound, offering a collection that resonates like a faded memory-soft, hazy, and endlessly replayable.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526623498325,"sku":"804297827575","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/black-marble-it-s-immaterial-1500x1500.png?v=1780197336"},{"product_id":"black-marble-weight-against-the-door","title":"Black Marble - Weight Against the Door","description":"Black Marble - Weight Against the Door","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526623662165,"sku":"098787305418","price":11.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/black-marble-weight-against-the-door-1100048.jpg?v=1779843907"},{"product_id":"march-violets-crocodile-promises","title":"March Violets - Crocodile Promises","description":"Vinyl LP pressing. 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Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into \"flow states,\" letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to it's title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\"Cape Perpetua\" kicks off the collection's divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. \"The Skin And The Glove\" deploys jangle to different effect - baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, \"Vanity,\" infusing poetic gravity to the doomed refrain: \"If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.\"\"Yield To Force\", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It's music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab's evolving domain, their sound poised to bloom at the precipice of transformation.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526755651669,"sku":"683950556621","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/drab-majesty-an-object-in-motion-8668250.jpg?v=1779843365"},{"product_id":"drab-majesty-object-in-motion-cloudy-red","title":"Drab Majesty - Object in Motion - Cloudy Red","description":"The latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into \"flow states,\" letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to it's title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon. \"Cape Perpetua\" kicks off the collection's divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. \"The Skin And The Glove\" deploys jangle to different effect - baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, \"Vanity,\" infusing poetic gravity to the doomed refrain: \"If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.\" \"Yield To Force\", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It's music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab's evolving domain, their sound poised to bloom at the precipice of transformation.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526758862933,"sku":"683950556690","price":20.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/drab-majesty-object-in-motion-cloudy-red-3133902.jpg?v=1779843365"},{"product_id":"drab-majesty-unarian-dances","title":"Drab Majesty - Unarian Dances","description":"Drab Majesty's first ever release was the 2012 self-released cassette tape \"Unarian Dances\". Originally limited to 100 copies, tracks from this tape would eventually make their way onto the Completely Careless CD collection as bonus cuts. Now, along with the \"Unknown to the I\" 12\" also released on March 26, these songs are finally made available on vinyl in 45 RPM 12\" format, bringing all early Drab Majesty material from the Careless era (2012-2015) to vinyl. Mastered by Josh Bonati with beautiful new packaging by Nathaniel Young.Drab Majesty is the project of Deb DeMure, the androgynous alter-ego of L.A.-based musician Andrew Clinco and partner Mona D. With it's combination of reverb-drenched guitars, synth bass lines, commanding vocals, and rhythmic drum machine beats, this project is a stark departure from Clinco's previous stints as drummer in Marriages and Black Mare. Dubbed \"Tragic Wave\" and \"Mid-Fi\" by DeMure, Drab Majesty eloquently blends classic 80s New Wave and hints of early 4AD with a futuristic originality. A talented multi-instrumentalist, DeMure composes all of the elements of Drab Majesty. However, rather than taking personal credit for the music, DeMure insists that the inspiration for the songs is received from an other-worldly source and that Deb is merely a vessel through which outside ideas flow inward. But Drab Majesty is more than just a musical project - it's a methodical experiment in the identity of creativity. The character Deb DeMure is an enigma that eludes all expectations of gender and ego. When DeMure's imposing 6' 4\" figure assumes the stage, Deb's playful, harlequin-esque appearance, tempered by an ominous body language, and clashing with the dreamy, ethereal melodies comes across as a web of contrasts. The result is a perfect balance between seemingly conflicting messages, between the high and the low, the drab and the divine.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526759026773,"sku":"011586671287","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/drab-majesty-unarian-dances-1094490.jpg?v=1779843365"},{"product_id":"gang-of-four-entertainment","title":"Gang of Four - Entertainment","description":"Gang of Four's debut record, Entertainment!, remains one of the most beloved and influential works of it's era (or any era, really) - an unparalleled collection of songs that has left an indelible mark on generations of bands, producers and artists. Classic 1979 Debut Album Reissued On Vinyl LP! 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The material was a significant departure from Pattersons primary musical endeavor at the time the percussive Sturm und Drang power trio Young Widows but it fell in line with his ongoing creative arc of embracing of negative space, acknowledging that less is more, realizing that a whisper can speak louder than a yell.On their new album No Trails and Other Unholy Paths, Jaye Jayle's transportive desolation and hallucinatory sonic mantras are fully documented in all their glory. Along with his cohorts, Patterson weaves a tapestry of neo-folks economy, krautrocks experiments in repetition, skid rows darkest blues, Midwestern indie rocks nihilism, and early Tangerine Dreams analog oscillations. The album seethes with tension and anticipation, with a heightened push-and-pull on tracks like Marry Us and the second song titled No Trail when songwriter Emma Ruth Rundle adds call-and-response vocals to the mix. The album has a lyrical theme in motion and direction, searching and questioning, and discovery, Patterson explains. A certainty in placement and uncertainty in destination. Primal consideration for surroundings, which may be or may not have been the surroundings sought after. The grayness of life's paths. The where-have-I-been, where-am-I-now, and where-will-I-be. It's a wanderers approach that yielded an unlikely romance and expatriate dreams between Patterson and Rundle during a European tour together in support of their split 12 The Time Between Us. It's the same method taken to the studio, where the band worked with film composer Dean Hurley David Lynchs music supervisor of the last twelve years to serve as producer. The result is an album that retains a certain austerity but pushes it's aural dimensions to their thresholds.1. No Trail: Path One2. No Trail: Path Two3. Ode to Betsy4. Accepting5. As Soon As Night6. Cemetery Rain7. Marry Us8. 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Created by frontman, Howard Devoto - who co-formed Buzzcocks with Pete Shelley - Magazine's sound focused on the double barrels of Dave Formula's swirling keyboards and John McGeoch's ahead-of-it's-time innovative guitar work, underpinned by Barry Adamson's pulsing yet deviously irregular basslines. Atop of this sat Howard Devoto's lyrics. Leading the vanguard of post-punk, their released four groundbreaking albums before disbanding. 1981's Magic, Murder and the Weather is repressed for the first time on colored vinyl and features unseen images and new notes from band members compiled and curated by Rory Sullivan-Burke.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526868504661,"sku":"5400863165864","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/magazine-magic-murder-the-weather-pink-6695873.jpg?v=1779842826"},{"product_id":"magazine-no-thyself-orange","title":"Magazine - No Thyself - Orange","description":"Orange Vinyl. Enduringly credible, Magazine have always been the music connoisseur's choice; frequently name checked by some of the most gifted musicians of recent years including Radiohead, Morrissey, Jarvis Cocker, U2, Johnny Marr and MGMT. NME. Com went so far as to included Magazine in a poll as one of the most influential bands of all time. Created by frontman, Howard Devoto - who co-formed Buzzcocks with Pete Shelley - Magazine's sound focused on the double barrels of Dave Formula's swirling keyboards and John McGeoch's ahead-of-it's-time innovative guitar work, underpinned by Barry Adamson's pulsing yet deviously irregular basslines. Atop of this sat Howard Devoto's lyrics. Leading the vanguard of post-punk, their released four groundbreaking albums before disbanding. 2011's No Thyself, released following a 2009 reformation, is repressed for the first time on colored vinyl and features unseen images and new notes from band members compiled and curated by Rory Sullivan-Burke.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526868865109,"sku":"5400863165871","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/magazine-no-thyself-orange-7454204.jpg?v=1779842826"},{"product_id":"magazine-rays-hail-yellow","title":"Magazine - Rays \u0026 Hail - Yellow","description":"Yellow Vinyl. Enduringly credible, Magazine have always been the music connoisseur's choice; frequently name checked by some of the most gifted musicians of recent years including Radiohead, Morrissey, Jarvis Cocker, U2, Johnny Marr and MGMT. NME. Com went so far as to included Magazine in a poll as one of the most influential bands of all time. Created by frontman, Howard Devoto - who co-formed Buzzcocks with Pete Shelley - Magazine's sound focused on the double barrels of Dave Formula's swirling keyboards and John McGeoch's ahead-of-it's-time innovative guitar work, underpinned by Barry Adamson's pulsing yet deviously irregular basslines. Atop of this sat Howard Devoto's lyrics. Leading the vanguard of post-punk, their released four groundbreaking albums before disbanding. 1987's compilation, Rays \u0026amp; Hails, is repressed for the first time on colored vinyl, has a new configuration and sequence from previous iterations, and features unseen images and new notes from band members compiled and curated by Rory Sullivan-Burke.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42526869028949,"sku":"5400863165888","price":40.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/magazine-rays-hail-yellow-3332094.jpg?v=1779842826"},{"product_id":"marie-davidson-so-right","title":"Marie Davidson - So Right","description":"Vinyl LP pressing. Marie Davidson's new album turns the mirror on herself. \"Working Class Woman\" - released on 5th October on Ninja Tune - is the Montreal-based producer's fourth and most self-reflective record: it's a document of her state of mind, of operating within the spheres of dance music and club culture. Drawing on those experiences, as well as an array of writers, thinkers and filmmakers who've influenced her, Davidson's response to such difficult moments is to explore her own reaction to them and poke fun. \"It comes from my brain, through my own experiences: the suffering and the humour, the fun and the darkness to be Marie Davidson.\" It's an honest document of where she currently stands. 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PURPLE ViNYL. Limited purple splatter colored vinyl LP pressing.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42527218434133,"sku":"889466674815","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/ministry-squirrely-years-revisited-9376984.png?v=1781160271"},{"product_id":"joy-division-preston-28-february-1980","title":"Joy Division - Preston 28 February 1980","description":"Vinyl LP pressing. This gig, taped at the Warehouse in Preston, took place during the final round of UK dates Joy Division was to play before jetting off to the US. The live captures the band raw sound with Ian Curtis's haunting vocals. 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For their next evolution, Odonis Odonis are shifting from the grind of the traditional music industry with it's unsustainable physical and psychological demands, to strictly focus on meaningful creative endeavors. These include releasing music, album production, and event production, and draw on Tzenos and Whale's collective talents and experience. From producing, scoring, and mastering at Tzenos's new studio After Hours, to countless curated shows through Whale's co-run concert company Transmit Presents, these past and forthcoming projects were chosen selectively, and with the intention of working with individuals they respect and admire.Out June 9th on Pirates Blend (Canada) \u0026amp; Felte, the duo describe their forthcoming collaborative EP ICON as a \"calling card,\" and it perfectly encapsulates the new iteration of Odonis Odonis. Following their 2021 album Spectrums, they started working on this collection of five songs, writing them geared towards some of their favorite veteran and up-and-coming artists. \"We wanted to bring out what we admire in them and prove that we can do a variety of styles,\" explains Whale. Some like New York noise rock mainstays A Place to Bury Strangers, Pittsburgh experimentalist TOBACCO, and Vancouver post-punks ACTORS, they've previously shared stages and tour vans with, while others like Vancouver darkwave singer and pianist Terror Bird and Los Angeles industrial pop project Patriarchy, are more recent discoveries. The striking artwork comes courtesy of New York-based noise artist Dreamcrusher, another act who shares Whale and Tzenos' community-minded ethos. Somewhat ironically, by shedding their skin as a band, the duo have embraced the individual spotlight more, and ICON marks the first chapter (with further collaborations to come) of this new Odonis Odonis era.","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42527421497429,"sku":"617308041422","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/odonis-odonis-icon-red-1416452.jpg?v=1779842227"},{"product_id":"odonis-odonis-odonis-odonis","title":"Odonis Odonis - Odonis Odonis","description":"Odonis Odonis - Odonis Odonis","brand":"Sonic Highway","offers":[{"title":"Default Title","offer_id":42527421595733,"sku":"044003468863","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1366\/5653\/files\/odonis-odonis-odonis-odonis-6395226.jpg?v=1779842228"},{"product_id":"pixel-grip-arena-silver-metallic-swirl","title":"Pixel Grip - Arena - Silver Metallic Swirl","description":"Pixel Grip are a Chicago based three piece who have been gradually building a following based around their ready-made club anthems. 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