Cellist Peggy Lee and guitarist Cole Schmidt are quite simply two of the most important composer-improvisers to have emerged from Vancouver's vibrant creative music community. Both wield vast vocabularies on their respective instruments, and with them they can coax out a seemingly endless array of sonic colours within just as many stylistic frameworks. They're also united by their shared gift for a particular sort of melodicism - one that can sneak it's way into multiple idioms and expressions. This potent combination of attributes has been over the past decade in groups such as Echo Painting and SICK BOSS. The pair serve as the album's gracious co-hosts, sharing compositional duties, the auditory limelight and seemingly divvying up the allotment of guests. Each brings several close collaborators to the sizeable cast of friends: international luminaries such as Wayne Horvitz, Frank Rosaly, Erika Angell, Meredith Bates, Sara Schoenbeck, and Dylan van der Schyff, all make appearances, plus fellow members of SICK BOSS like JP Carter and James Meger.