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SOLD OUT- RAS Exclusive "Baja Blast" - Limited to 750 $23.98 - "Blood Blister" Blob + Splatter- Limited to 1000 $21.98 - Black Vinyl- Limited to 3000 $9.98 - Digipack CD - Limited to 3000 $9.98 - Cassette - Limited to 500
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All Vinyl Includes: Deluxe LP Cover with Die Cut Foiled and UV Spot Interchangeable Inner Sleeve Mega 36" x 24" Double Sided Poster
Los Angeles psych-punk quartet Frankie and the Witch Fingers have returned with their seventh studio album Data Doom, due September 1 via The Reverberation Appreciation Society / Greenway Records. To ring in the announcement, the band has shared album highlight “Mild Davis” with a mind-bending animated music video. Inspired by Miles Davis’ early-70s electric work, the track’s dizzying 7/4 meter winds through chunky riffs, commanding vocals and proggy synths before crash-landing in a minefield of angular guitar harmonies.
Over the past decade, Frankie and the Witch Fingers have operated as an outright force of nature, offering up a revelatory form of psych-rock that hits on both a primal and ecstatically mind-bending level. In the making of their new album Data Doom, the Los Angeles-based four-piece forged a sublimely galvanizing sound informed by their love of Afrobeat and proto-punk—a potent vessel for their frenetic meditations on technological change run rampant, encroaching fascism, and corrosive systems of power. Animated by the explosive energy they’ve brought to the stage in sharing bills with such eclectic acts as Ty Segall and ZZ Top, the result is a major leap forward for one of the most adventurous and forward-thinking bands working today.
Rooted in the cerebral yet viscerally commanding songwriting of co-founders Dylan Sizemore (vocals, guitar) and Josh Menashe (lead guitar, synth), Data Doom marks the first Frankie and the Witch Fingers album created with bassist Nikki “Pickle” Smith (formerly of Death Valley Girls) and drummer Nick Aguilar (previously a touring drummer for punk legend Mike Watt). In crafting their most rhythmically complex work to date, the band drew heavily from each new member’s distinct sensibilities: Smith tapped into her extensive background in West African drumming (an art form she first discovered thanks to her music-instructor parents), while Aguilar leaned into formative influences like longtime Fela Kuti drummer Tony Allen. Self-produced by the DIY-minded band and recorded direct to tape by Menashe, Data Doom ultimately took shape through countless sessions in their Southeast L.A. rehearsal space, with Frankie and the Witch Fingers allowing themselves unlimited time to explore their most magnificently strange impulses.
Due to the nature of making a swirl/splatter vinyl record, each record is one of a kind. The vinyl you receive may look very different from our photo. Swirl/Splatter vinyl is more prone to surface noise and imperfections.
