For Nicole Miglis, the multi-instrumentalist and voice of the beloved indie pop group Hundred Waters, writing the songs for her debut solo album Myopia evolved in bits and pieces: travel to a new city, gather field recordings, spark an idea, refine and repeat in an ever-changing order. Many of the songs poured out over the span of a few weeks, while the rich instrumentation developed patiently as Miglis tinkered with the layered soundscapes. Lived experiences recontextualized loose lyrics or snippets, letting the compositions grow organically. Her field recordings further modify the mood with their geography. Ambient street noise conjures visions of lovesick nights along moonlit city blocks, whereas plucking harp points to a restorative afternoon in the mountains; the sense of time and place is vivid. The result is her debut Myopia, an album that explores the complex intersections of desire, melancholy and identity while showcasing her mesmerizing ability to synthesize experimental production, pop melodies and classical form into a musical language completely her own.