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The Ouroborus - the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolizes the duality of the divine and earthly in mankind. But most commonly, itâs taken simply to mean the endless cycles of death and rebirth that characterize life on this planet. As such, itâs an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.
This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Following on from the uncharted territory of the soul-searching and folk-tinged Medicine and the dark, atmospheric soundtrack to Shane Meadowsâ The Gallows Pole, Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at igniting dance floors and expanding minds.Â
Whilst this particular mercurial incarnation summons the party dimensions from which we were first introduced to this band well over a decade ago, it also possesses no shortage of curveballs and curiosity. âOne More Deathâ and âGoatbrainâ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet if these and the filthy, swaggering groove of âDollar Billâ mark familiar territory for Goat devotees of old, âFools Journeyâ is just the first of several journeys into the beyond - a blissful drifting meditation infused with free jazz and shamanic overtones which bears the hallmarks of their concurrent project Djinn.
True to the notion of this band effortlessly straddling past, present and future, âFrisco Beaverâ - another irresistible party-starter powered by insistent guitar filigree and percussion-driven trance-states -  is a literal sequel to âDisco Feverâ from 2012âs World Music. Yet elsewhere Goat can happily look towards new horizons and come back with some of the most righteous vibrations  theyâve yet delivered. The bandâs love of hip hop is the fuel for both the rollicking ceremonial throw-down âZombieâ and the end-credits-epic album closer âOurobourusâ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, weâre right back where we started.Â
As Brad Dourifâs character Hazel Moates intones in the 1979 movie Wiseblood âWhere you come from is gone; where you thought you were going werenât never there. And where you are ainât no good unless you can get away from itâ; in Goatâs eternal now of renewal and revelation, thereâs never been a more potent means of escape.Â
Tracklist:
1. One More Death
2. Goatbrain
3. Fools Journey
4. Dollar Bill
5. Zombie
6. Frisco Beaver
7. All Is One
8. Ouroboros